who played flute for traffic
Chris’ appreciation of folk music immediately became a key ingredient in the band’s unique sonic mix. [1] Winwood, Wood, and Capaldi wanted to take the group in a different direction, opting for a folk/blues style rather than their earlier psychedelic/eclectic rock sound, while Mason was oriented towards psychedelic pop. Among other music, the set would include the album Vulcan as Chris originally sequenced it in 1978. They included work with Jimi Hendrix, Free, Ginger Baker‘s Air Force, John Martyn and many others. Chris’s only LP will be issued shortly via Caroline International – part of Universal as part of the Evening Blue set which we’re currently preparing. [2] Their first three singles were "Paper Sun", "Hole in My Shoe", and "Here We Go Round the Mulberry Bush". Mason left the group due to artistic differences[6] just after Mr. Fantasy was released, but rejoined for a few months of 1968,[7] long enough to contribute to a slim majority of the songs on their second album, Traffic. [1], Aged 18, Wood joined the Steve Hadley Quartet, a jazz/blues group in 1962. At the age of 18, Winwood abandoned the Spencer Davis Group at the height of their popularity and, along with Wood, Capaldi, and Dave Mason, formed Traffic. Mike McEvoy joined the line up playing keyboards, guitar and viola, and Walfredo Reyes, Jr. played drums and percussion. [10] Feeling Winwood had been integral to Traffic's music, the remaining members opted not to continue the band without him. [citation needed] It became the title song of their 1970 album, "John Barleycorn Must Die. Best Chet Baker Pieces: 20 Jazz Essentials, Best Pat Benatar Songs: 15 Power Ballads and Pop-Rock Bangers, Badu Babies: How Erykah Badu’s Vocal Style Transformed Music, How The ‘Hackers’ Techno-Forward Soundtrack Captured The Future, About Us • Contributors • Terms of Service • Privacy Policy • © 2020 uDiscoverMusic. [2] A well-known Birmingham club, the Elbow Room, was an after-hours haunt of local bands and musicians and it was here that Wood used to meet up with Winwood and Jim Capaldi. Winwood, Capaldi, Mason, and Stephanie Wood (standing in for her late brother Chris) all attended the ceremony. [2] Following Wood's death, the Vulcan recordings remained in the possession of Wood's sister, Stephanie. Wood was playing in local jazz-blues bands from an early age, notably at the Elbow Room. Capaldi soon brought them on board to replace Grech and Gordon.[1]. Ken? Wood was born in the Birmingham suburb of Quinton, and his early passion for the arts prompted him to teach himself several instruments. Capaldi later recalled "Rosko Gee and I were the only ones in anything like normal shape. Wood also co-wrote several of Traffic's songs, particularly during the earlier period of the band's recording career. The album ended with a version of The Spencer Davis Group song "Gimme Some Loving", which became a minor hit. He said it’s a song that we all might relate to as we deal with whatever this “new normal.” Nate played the song “Tomorrow” from the musical “Annie.” Required fields are marked *. This article is about the English band. [2] They began as a psychedelic rock group and diversified their sound through the use of instruments such as keyboards like the Mellotron and harpsichord, sitar, and various reed instruments, and by incorporating jazz and improvisational techniques in their music. platinum disc in March 1976 for over a million total sales. The late Chris Wood, born on 24 June 1944, will always be best known as a founding member of Traffic. At the time, he was working on a solo album that was to be titled Vulcan, and had recorded material for the album over the previous few years, mostly in London at Island's Hammersmith Studio, The Fall Out Shelter, with engineer Terry Barham, as well as at Pathway Studios in London. Following the departure of Mason, Traffic released The Low Spark of High Heeled Boys (1971), which was a Top 10 American album but did not chart in the UK; the LP is also notable for its die-cut cover. For the Estonian band, see. It sold over half a million copies in 1972 when it received a gold disc, and was awarded a R.I.A.A. During 1968 Winwood and Wood often played with Jimi Hendrix, and they both appear on The Jimi Hendrix Experience's 1968 double album Electric Ladyland, as did an uncredited Mason. The Spencer Davis Group released four Top Ten singles and three Top Ten albums in the United Kingdom, as well as two Top Ten singles in the United States. Kwaku Baah died on stage from a cerebral hemorrhage in Stockholm, Sweden in 1983, and Capaldi dedicated his solo album Fierce Heart to his memory. In Traffic, Wood primarily played flute and saxophone, occasionally contributing keyboards, bass and vocals. Chris Wood also died that year from pneumonia. And to be totally frank, "prog-rockers" is a pretty poor choice of adjectives to apply to … The band's third single, "Here We Go Round the Mulberry Bush", was made for the soundtrack of the 1967 British feature film of the same name. The album included a surplus recording from The Low Spark of High-Heeled Boys, "Open Your Heart", and the new tracks featured drummer Roger Hawkins and bassist David Hood, from the Muscle Shoals Sound Studio house band. In June 2013, on Wood's 69th birthday, the Chris Wood Estate (run by his sister, Stephanie) announced that a commemorative box set was being prepared – in collaboration with contemporary music archivists HiddenMasters, to properly honour Wood's life in music. He played on John Martyn's Inside Out (1973). Through much of his life, Wood suffered from addiction to drugs and alcohol, which were initially attributed to a fear of flying. [4], In Traffic, Wood primarily played flute and saxophone, occasionally contributing keyboards, bass and vocals. However, a subsequent tour of the US, while successful in terms of ticket sales,[9] was emotionally exhausting for the band. Wood remained with Traffic from the time of its 1970 reformation until its 1974 breakup. [2] Wood played with Perfect in 1964 in the band Shades of Blue and with Kellie during 1965–1966 in the band Locomotive. Please… repeat please… get your facts straight. When Winwood left the Spencer Davis Group to explore the increasingly experimental musical environment of 1967, the pair joined forces with Capaldi and Dave Mason to form Traffic. The new lineup (Winwood, Capaldi, Wood, Kwaku Baah, Hawkins, Hood) toured America in early 1972 to promote the LP, and their concert at the Santa Monica Civic Auditorium on 21 February was recorded in multitrack audio and captured on colour videotape with multiple cameras. A concrete outdoor stage was built with the band's stage equipment set up to overlook the surrounding fields. Wood and Jacobs married in November 1972, at Kensington Registry Office, when he was 28 and she was 22.[8]. He played flute on ‘1983… (A Merman I Should Turn to Be)’ from the Jimi Hendrix Experience’s 1968 landmark Electric Ladyland.

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